Making time to rehearse is so difficult at times. However, magical things happen in rehearsals. You learn that if you don't stretch you can't move the next day, that sometimes you can really only do a move in your mind and that certain songs seem like a good idea until you begin working with them. That sometimes you have to cut props, stage business, and other non-essential bric a brac when pulling a piece together. That glitter does not always do what you envision and when that happens it's best to sweep it up and try again.
For instance, I wanted to blow glitter out of coffee cup for my "poison", to remind the audience that I did actually poison someone in the beginning of the number in case my breasts made them forget. When I rehearsed it the first time I blew the glitter out of the cup and most of it slid up the side and straight back into my face. Not exactly what I was looking for - me blind in 5" heels is not what I want to happen onstage if it can be avoided. So I had to stuff the cup with foam and create a cardboard "tray" of sorts and put the glitter on it (btw it made the cup look like it was FULL of glitter onstage) this was finally successful.
Creating a story isn't always easy and burlesque is really a way of telling a story through music and disrobing- eloquently. I want to tell my stories with specificity, finesse, and most of all surprise. I want the audience to get as excited about me taking something off as I am about taking it off and as excited as the music is about it as well. I've always viewed dance as a way of losing oneself a way of letting go and letting the music speak through the body. A physical manifestation of music or even just sound. But Burlesque isn't quite like that. It's highly aware, conscious even. A self-aware conduit of music and ideas.